Askultura, Michele Vargas Fund, and Bands For Dance Benefit at Churchill's Pub on March 2
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| Photo by Wasabi Fashion Kult |
German playwright (and all around Commie) Bertolt Brecht would tell you that unless your work directly protests the global capitalist hegemony by alienating the buorgeois theatre-going audience, it amounts to little but titillation for the ruling classes.
On the other end of the spectrum, you've got post-punk icons Fugazi, who skipped the political theory and went right for a little direct action via a now-institutional phenomenon called the benefit show.
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