Goblin on Scoring Horror Movies: "You Have to Be Scared to Scare Other People"

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Goblin members Massimo Morante (right) and Maurizio Guarini.

Goblin are out for blood. They're gonna gut you, and string your entrails from the rafters.

Guts will explode, heads will crack, leg bones will snap under the weight of their monstrous sound.

They started in Italy in 1975, scored some of the scariest horror movies of all time, and have never been to Miami ... Till now.

Here's what keyboardist Maurizio Guarini had to say about death, film, and zombies.

See also: Win Free Tickets for Goblin at Grand Central Miami

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Head and the Heart on the Future of Americana and Why EDM Isn't "the Be-All, End-All"

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Photo by Curtis Wave Millard

There will always be a place for the brand of vulnerable indie folk that Seattle's Head and the Heart have been perfecting since 2009.

At the moment, the band is still riding high on critically lauded sophomore album, Let's Be Still, playing through dust storms at Coachella, and slowly putting the pieces in place for its next release. But in addition to that sort of success, these perpetually road-bound folkies also represent a new generation of roots artists who refuse to let the human element be completely stomped out of popular music.

So naturally, when we spoke with drummer Tyler Williams, the conversation turned toward the future of Americana and rock 'n' roll, and what he thinks the world needs instead of more EDM.

See also: Win Free Tickets for Head and the Heart at Fillmore Miami Beach

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David Bisbal on His New Sound: "I've Always Been an Artist Who Likes to Be Current"

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Miami has gotten that much spicier as Latin acts from around the globe convene to celebrate the 25th anniversary of the Billboard Latin Music Conference and Awards.

Perhaps the only man in the world who can pull off a head of bouncy curls, David Bisbal, will be in town to promote his newest album, Tu y Yo. He'll be co-headlining the 25th anniversary concert with Luis Fonsi at LIV tonight, and he will also perform during Thursday night's awards ceremony.

We here at Crossfade chatted with Bisbal about his new pop sound, working with Fonsi once again, and the importance of award shows.

See also: Leslie Grace on Fame: "A Real Diva Doesn't Have to Compensate for Who They Are"

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Nino Brown on Jesus Christ: "He Got a Little Gangsta in Him"

Categories: Local Music, Q&A

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Before Cash Money Records, there were the Cash Money Brothers, a group of fictional New York City drug dealers whose criminal ascension during the '80s crack epidemic was masterminded by their leader, Nino Brown.

The New Jack City character, played by Wesley Snipes, has become an iconic rags-to-riches story in hip-hop culture, much like that of Al Pacino's Tony Montana.

More than 20 years later and over 1,000 miles from New York, DJ Khaled's We the Best have found their own Nino Brown.

See also: Miami's Ten Best Hip-Hop Clubs

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Ron Morelli on L.I.E.S. and Greg Beato: "Expect the Unexpected"

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Ron Morelli's music is not for everyone. But that's how it usually goes with artists that make few compromises in their work. Ostensibly a techno producer, his records can be arrhythmic, atonal, and murkily atmospheric -- caustic machine noise experiments more akin to the power electronics subgenre of industrial music.

Clearly, Morelli has no interest in conforming to dance floor conventions, let alone pandering to mainstream EDM tastes. Browse through the catalog of his celebrated Long Island Electrical Systems (L.I.E.S.) imprint and you'll find that his A&R pickings can be just as subversive.

See also: Downtown Miami's Five Best Dance Clubs

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Dead Milkmen: "We're Not Much More Politically Correct Than We Used to Be"

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To hear Dead Milkmen guitarist/vocalist Joe Genaro tell the story about the rise, breakup, and reunion of his Philly-based pop-punk crew, the basis of a successful band is not an interest for fame and fortune, but friendship.

It was friendship that drove Joe and the Dead Milkmen's creativity, including their often twisted sense of humor, which only close friends truly understood. It was also a devotion to their camaraderie that broke the band up. And finally, as tragedy struck with the suicide of a former bandmate, it was friendship that brought them back together.

See also: Review & Photos: Dead Milkmen - Grand Central, Miami

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Allman Brothers on Final Tour: "We Don't Want to Turn Into a Nostalgia Act"

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Now in its 45th year, the Allman Brothers Band is gearing up for its final performance at Wanee -- a three-day annual music festival that the group's so proudly organized for the fans over the past decade.

The band's current roster includes founding members Gregg Allman on the organ, piano, and vocals, Butch Trucks on drums and tympani, and Jai Johanny "Jaimoe" Johanson on drums and percussion. Over the years, the original group has welcomed members Warren Haynes on guitar and slide guitar, Marc Quiñones on drums and percussion, Oteil Burbridge on bass, and Derek Trucks on guitar and slide guitar.

Although Allman, Trucks, Johanson, and crew have taken several breaks from the performing spotlight in the past, 2014 could very well be their last hoorah as The Allman Brothers Band.

See also: Wanee 2014: Allman Brothers, Mushrooms, and Moonshine, a Recap From Juke's Eric Garcia

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Telekinetic Walrus: "It Can't Be All About LIV and Mansion, There's a Local Music Scene Too"

Categories: Local Music, Q&A

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Photo by Pablo Chacon Alvarez

In a galaxy not so far away, Telekinetic Walrus and the Pride of Ions is captivating audiences with a fusion of electronic booty-bouncing hip-hop and fantastic folk.

After a two-year hiatus spent recording music and building the Walrus Cave, this team of intergalactic superheroes returned to the Miami music scene in December 2013 with the release of its fourth musical installment, The Believers of The Flying Squirrel.

Now Telekinetic Walrus is back with another new record, The Instrumental Adventures of Faun 5000, King of Faunzellia. So we here at Crossfade took a trip to the Cave for a conversation about the band's hiatus, blueberry pancakes and Miami's ever-expanding music scene.

See also: Afrobeta on Miami Crowds: "Rude as F@#% ... But Nobody Dances Better"

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Afrobeta on Miami Crowds: "Rude as F@#% ... But Nobody Dances Better"

Categories: Local Music, Q&A

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Photo by Pablo Chacon Alvarez

Two years after the release of their last mixtape, Wig Party, Cuci Amador and Tony Smurphio of Miami indie-dance sensation Afobeta are eager to unleash some new music on the world. But even though they've been recently performing new material at shows, an official EP or full-length release appears unlikely for the time being.

To help put pressure on our favorite electro-pop duo, we here at Crossfade caught up with Cuci and Tony to chat about upcoming projects, the Miami music scene, and the future of Afrobeta.

See also: Miami's 25 Best Electronic Music Acts

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Bloodshot Bill Tells True Dead Body Stories, Talks Being Banned From the United States

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Photo by Tim Snow

Murder, blood, naked girls, weed, food, and beer ... These are the staples of life on the road for Bloodshot Bill.

The greasy-haired, foot-stomping, guitar-strangling Canadian wailer has been banned from the United States. He's rock 'n' rolled a naked dance party. He's even taken a bath in a tub once full of body parts.

Coming to Miami for a gig at Wynwood's Gramps, he's looking forward to a cold brew and some good grub. Here's what he had to say about it all.

See also: Five Signs You Might Be a Shitty Guitarist

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