Code Black's Dr. Ryan McGarry on What Really Goes On In Hospital Emergency Rooms

Categories: Film and TV

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From Left: Danny Cheng, M.D.; Dave Pomeranz, M.D.; Ryan McGarry, M.D.; Billy Mallon, M.D. in Code Black

As an ER physician, Dr. Ryan McGarry is probably the only filmmaker Cultist can forgive for calling in for a scheduled interview five hours late.

Speaking via phone from New York City, where he moved last year to work at Cornell Medical Center at New York-Presbyterian Hospital, the 32-year-old doctor apologizes for the delay. He says he wanted to make sure a patient he had admitted on his shift two days earlier made his way to the right doctor for treatment around a complicated hip injury. "It's nothing sexy, but it is what it is," he says.

Code Black is McGarry's directorial debut, and the things he captures on camera at L.A. County's trauma bay will illicit great sympathy for this young crusader, his patients and his colleagues, whose greatest adversary nowadays seems to be paperwork.


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New World School Grads Hope To Create TV Sitcom About Being Haitian In Miami

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Photo courtesy of Edson Jean.

For Edson Jean and Joshua Jean-Baptiste, the true story of Miami is made up of a million small vignettes of daily life that come together to create our collective reality.

The two New World School Of Arts graduates are Haitian Americans who want to tell a uniquely Miami tale of youth, sex, and technological obsession on television. And after a modest Kickstarter campaign success, the duo are well positioned to make their dream a reality.

"I feel like Miami is in a weird, almost adolescent phase where it's trying to find itself, alongside artistic relevance," Jean-Baptiste said. "This city has always been an escape for other people from other places, leaving the actual natives in the shadow."

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Miami Icons: The Freedom Tower Welcomed Cubans to America

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Photos by Karli Evans
San Francisco has the Golden Gate Bridge. St. Louis has the Arch. Las Vegas has its retro welcome sign. It seems like every city has an iconic structure to represent itself to the rest of the world. Every city but Miami, that is. The Magic City is full of architectural gems, and maybe that's why no one building has come to define it. But that's left this town without a symbol of its own. In our Miami Icons series, we're aiming to fix that. Today, writer Rich Robinson argues that the Freedom Tower represents the best of Miami's history and culture.

The Freedom Tower in downtown Miami deserves to become the global symbol of our fair city. Its history mirrors that of Miami itself: built during the real estate bubble of the 1920s, offering help to Cuban refugees in the 1960s, and contributing to today's cultural renaissance. It sits in the center of downtown, along the main vein of Biscayne Boulevard, like Miami's own beating heart.

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Vulcan the Liger Is Back Home at Jungle Island

Categories: Animals

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Courtesy of Jungle Island
According to Napoleon Dynamite, a liger is a cross between a lion and a tiger, bred for its skills in magic.

At least Napoleon was spot on about the first part. And as far as kitty witchcraft, well, anything is possible.

As it turns out, we have these potentially bewitching big cats right here in Miami. Vulcan, a 900-pound liger, has returned to his tour of duty after a little R&R, according to the folks at Jungle Island.

See also: Jungle Island Debuts Water Park With Obstacles, Diving Cliffs, and Trampolines

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Swampspace's Oliver Sanchez on Collaborating with Art Stars: "I Was Creating Architecture to House the Paintings"

Categories: Art

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Karli Evans
Oliver Sanchez: "Growing up, there was not a hammer in my house, but I loved building things."
In 2006, Oliver Sanchez transformed the implausible into reality. "I tarred and feathered a classic Rolls-Royce Corniche convertible," the unpretentious and soft-spoken 55-year-old Cuban-American recalls. "The hardest part of the job was finding the right type of feathers, but we finally settled on goose down after going through a bunch of samples ranging from plain chicken feathers to the more exotic and ornate."

Sanchez defiled the Rolls for a Wynwood exhibition by two Scandinavian artists, Michael Elmgreen and Ingar Dragset, who aimed to erect a monument to art-world avarice. In the years since, he has become the go-to guy for making artists' visions a reality. He has created works for big-time locals such as Daniel Arsham, Bert Rodriguez, Naomi Fisher, Bhakti Baxter, and Typoe, as well as established international names.

No one would have predicted Sanchez would play such an important role in the art world. Three weeks after he was born in Camag├╝ey, Cuba, dictator Fulgencio Batista's soldiers executed his father. When he was 9, he moved to Miami with his mother, Martha, and older brother Adolfo. "I grew up in a house about ten blocks from here," the artist recollects as he sits at a small table covered with playing cards and dominoes inside his new studio at North Miami Avenue and NW 39th Street. The place also houses Swampspace, the alt-haven Sanchez founded nearly a decade ago to showcase emerging and underrepresented artists.

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David Bautista Talks Guardians of the Galaxy, Wrestling, and Putting His Emotions on Screen

Categories: Film and TV

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For all of Marvel's out-there and enthusiastic actors, there are always a couple that lean towards the calm and quiet side of things. But you probably wouldn't expect Guardians of the Galaxy's David Bautista, a wrestler, to be that kind of guy. His character, Drax the Destroyer, might be an angry man who solely seeks vengeance against Thanos -- the villain who killed his family -- but the actor is a self-described "quietest guy in the room."

See also: Guardians of the Galaxy Misses the Mark on Fun

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Miami Icons: The Colony Hotel, the Most Famous Art Deco Building on Ocean Drive

Categories: Architecture

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Karli Evans
San Francisco has the Golden Gate Bridge. St. Louis has the Arch. Las Vegas has its retro welcome sign. It seems like every city has an iconic structure to represent itself to the rest of the world. Every city but Miami, that is. The Magic City is full of architectural gems, and maybe that's why no one building has come to define it. But that's left this town without a symbol of its own. In our Miami Icons series, we're aiming to fix that. Today, writer Travis Cohen argues that the Colony Hotel's Art Deco history and Ocean Drive location have earned it icon status.

For better or worse, when most people think Miami Beach, they don't think about Normandy Isle and seven-one or Surfside or Sunny Isles They think about South Beach. They think about half-naked women with perfectly sculpted bodies coated in deep summer tans. They think of candy colored super cars. They imagine SoBe as a scattershot settlement of clubs overflowing with beautiful people who meander towards the shoreline at 4 a.m., bedecked in barely buttoned Armani shirts and short Valentino dresses that have crawled up a long length of thigh, as they search for a palm tree to vomit on beneath the neon moonlight. And what is the backdrop for this glamorous scene? None but the Historic Art Deco District of Miami Beach and all those lovely pastel palaces along Ocean Drive.

And even if the ideas and attitudes towards South Beach that locals and tourists hold don't exactly match up, nobody can contend that the Art Deco architecture is an intrinsic part of the Beach's personality as a city. Most of that style was designed by a man named Henry Hohauser, who was responsible for a great many of the buildings that still stand on Ocean Drive and the surrounding sections of the Deco District. And out of all his classic creations, there's hardly a one that can be said to be more of a well-known staple in the recollections and postcards of South Beach than the Colony Hotel.

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Remembering Jumbo's, and Five Other Miami Institutions We've Loved and Lost

Categories: Culture

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Photo by Ken Hawkins
Say it ain't so! Jumbo's, one of Miami's historic restaurants and historic landmarks, is closing for good. The Liberty City institution announced last week that it would shutter its doors. Bobby Flam, who became the manager of the restaurant in place of his father, Isadore, in 1966, has sold the restaurant, which sold shrimp, fried chicken, and conch 24 hours a day. The restaurant is now in the hands of a developer planning to build housing on the corner of NW Seventh Avenue and NW 75th Street.

Jumbo's was at the forefront of Miami's desegregation in the 1960s and also weathered the storm of the race riots in the 1980s. It has been part of Miami's changing times and culture. With its secured place in local civil rights history, Jumbo's will certainly live on in memory. But unfortunately, it's now joined the graveyard of other popular and historic Miami locales that have closed or changed hands. Here are five Miami institutions we've loved and lost.

See also: Liberty City Icon Jumbo's, The Temple of Fried Shrimp, Set to Close After Sale

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Miami Artist AholSniffsGlue Sues American Eagle Outfitters for Intellectual Property Infringement

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Giulo Sciorio
AholSniffsGlue is one of the Magic City's quintessential street artists who is widely known for his trademark droopy eyes that keep watch over Wynwood at NW 27th Street and for more than a decade have peered down on I-95 traffic outside of the Margulies Collection.

So when American Eagle Outfitters descended on Wynwood earlier this year to package its 2014 spring break advertising with a distinct urban vibe, it became besotted by the local artist's attention-grabbing imagery.

The company, which earned more than $3 billion last year, boasts 1,000-plus stores around the world, and ships to customers in 81 countries, began using Ahol's work on its webpage, social media sites, billboards, and in-store displays as part of a sweeping international blitz to shape its brand identity and sell its product.

The problem, according to a lawsuit filed by Ahol, is that American Eagle never sought the artist's authorization or compensated him for plastering his work on its ads.

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Free Events This Week: Our Town, Arsht Tour, Free Cafecito

Categories: Around Town

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doctor.boogie via Flickr
The dog days of summer are officially upon us. It's hot as hell, and if you're anything like us, you're totally unmotivated to move, to function, and least of all, to work. Do you know how much effort we're expending to write this goddamn blog post?

But unfortunately, siestas aren't a standard part of the workday (yet), so plug along we must. To keep yourself from falling into a summer fugue state, here's some stuff you can get into this week (*most* of it involving AC).

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