Miami's Musem of Contemporary Art Celebrates Its Quinceanera
|Edward and Nancy Kienholz|
|Soup Course at the She-She Café|
The sprawling show offers a glimpse of the museum's holdings, culled together thanks to local and international collectors' and patrons' donations to MOCA's acquisition fund, and is slated to occupy the new 16,000-square-foot permanent collection galleries of MOCA's expansion.
The show also will celebrate MOCA's role in showcasing emerging artists, many of whom have produced installations and large-scale works that have been a focus of the museum's exhibits, says Bonnie Clearwater, MOCA's executive director and senior curator.
"Some of the works on display were in our inaugural 'Defining the '90s' show," Clearwater continues. "But this is the first time they have all been exhibited together. The works represent an ongoing generational dialogue among artists and reflect the history of contemporary art in our times."
A local artist whose jarring work induces whiplash is Dara Friedman. Her 1999 film, Bim Bam, was included in a Whitney Biennale. It features Friedman in dueling video projections slamming doors on either side of the viewer while stuck at the threshold of some bizarre purgatory.
There is also a major installation by California's Edward and Nancy Kienholz titled Soup Course at the She-She Café, depicting a couple and a young woman dining near each other in a surreal restaurant setting. Viewers are caught in their psychological web as the husband steals furtive glances at the woman while his wife looks on unaware. The arresting tableau provides an important precedence for other narrative works in the exhibit, Clearwater says.
"The Keinholzes have been an important influence on artists like Hirschhorn, while others, like Sterling Ruby, a young artist from California, has been influenced by both of them," Clearwater explains. "We have built this exhibit around a new acquisition of a Ruby installation that climbs 14 feet up into the lights in the museum's ceiling."
MOCA's commitment to nurturing homegrown talent is evident in "Open Process: New Work by Miami Artists," showcasing Jessica Laurel Arias, Autumn Casey, Domingo Castillo, and Tatiana Vahan.
During the past four months, the quartet was given access to MOCA's archives and collection and received the museum's support to create individual projects for the exhibit, organized by Ruba Katrib, the associate curator.
Look for our full write-up in this week's issue.
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