MOCA's "Modify, As Needed" Surveys Artists Who Appropriate Found Materials
The Chilean artist, who had a GoPro camera strapped to his head, spent most of the day weaving mattresses, sheets of cardboard, rubber rafts, sofa cushions, album covers, books, and sundry materials through the bars at both ends of the space between the Waltman Ortega Fine Art and Praxis International Art galleries.
From across the street, as the afternoon progressed, the artist's project, titled Para_site, began to look like an abstract mural. Packer is in town for the exhibit "Modify, As Needed," opening this Thursday at the Museum of Contemporary Art.
The exhibit, organized by Ruba Katrib, MOCA's associate curator, showcases the work of 11 artists who use readily accessible materials and employ playful tactics in making their art. In addition to Packer, participants include Kathryn Andrews, Darren Bader, Nina Beier, Karl Holmqvist, Adriana Lara, Natalia Ibáñez Lario, José Carlos Martinat, Nicolás Paris, Nick Relph, and Anders Smebye.
Packer says his project deals with the notion of how fences segregate people from one another, the concept of private versus public property, and how contemporary society has become more isolating and restrictive. "My idea of the fence is as a device that functions as a barrier to keep us from confronting the 'other,' or that perceived potential enemy we fear or seek protection from," he says.
"You see fences everywhere walling off private property. You see bars on windows in people's homes. This restriction of space -- areas one is denied access to -- also reminds one of prisons and of a growing surveillance society."
Meanwhile José Carlos Martinat is unintentionally spoofing Miami's plastic-surgery-addled vibe. He has developed a technique to give walls a face peel. In his native Peru, he typically appropriates political signs and slogans painted on public buildings and private homes using liquid glue.
"I paint over the signs with the stuff, and when it dries, I peel off the sections or individual letters to create my own words or slogans in response on the same wall," he explains. Martinat says the first piece he made was the word mentira (lie) in his series Ejercicios Superficiales (Superficial Exercises).
"I'll appropriate one letter from each of the different painted signs to create my own. The political campaigns back home are very aggressive; some of these signs have letters up to three meters in height. It's crazy -- the stuff is painted everywhere, creating this huge visual noise," Martinat says.
Last year, when the artist appropriated bits of graffiti to exhibit in a gallery, several graffiti artists stormed the space and defaced the walls in protest, even assaulting the art dealer with cans of spray paint. "They waited for him outside and covered him with spray," Martinat says. "But they were very respectful of my other work and left it untouched. It's ironic because I was working with the notions of some who see graffiti as vandalism of public space."
At MOCA, the artist will show a 12-by-12-foot section of museum wall whose surface he peeled back until it curled down to the floor.
Look for the full preview in this week's issue.
There will be an opening reception this Thursday from 7 to 9 p.m. "Modify, As Needed" will be up through November 13 at the Museum of Contemporary Art (770 NE 125th St., North Miami) Call 305-893-6211or visit mocanomi.org.
Follow Cultist on Facebook and Twitter @CultistMiami.