Kiki Valdes' "The Outsiders": Art For the Anti-Basel Crowd
|Photo by Robert Dempster|
|Kiki Valdes with a work in progress|
Set in a remote warehouse, and held outside of any organized art event, "The Outsiders" all but dares you to ignore it. This, of course, is all by design. Valdes always wanted to do an exhibit at a warehouse, he says, and this location, off the beaten Wynwood/Design District path (one side is bordered by railroad tracks) seemed to be the right space for "The Outsiders" -- a show intentionally held outside of Art Basel Miami Beach, any organized art walk, and even outside of a traditional gallery space. In selecting the artists he would invite to participate, Valdes deliberately refused to confine himself to a preconceived theme or concept for the show, opting instead to select artists with whom he feels a certain kinship. The result: a show "celebrating the bravery of the creative outsider."
|Photo by Heike Wollenweber|
|A work in progress by Kiki Valdes|
Valdes himself produced 10 paintings for "The Outsiders": one in the style of expressionism mixed with cartoon elements, and nine paintings based on nine Miami women who affected his life, each based on one of the nine Greek muses. "I did the portraits off my memory, so they are really abstract," Valdes says. "The muses and the mythologies were carried on verbally and through memory, so that's how I went about it when I did the work."
The other "outsiders" in the exhibit are a diverse group. Eric Torriente's contribution is a nine-foot-tall sculpture entitled "Aphrodisian." The mixed media piece, according to the artist, "consists of a central male character surrounded by seductive females. The universally themed sculpture depicts the male character fantasizing and lusting for a variety of women while his wife or partner sits alone in the back of the sculpture reading ambiguous letters."
|Photo by Robert Dempster|
Edward Crowell II, whom Valdes calls "the quintessential outsider" because "he is not from Miami and does not know a lot of people," will show pieces from his "Romantic Ramblings" series, "focusing on text/poetry as visual art while being very disconnected from an absolute visual understanding," Crowell explains. "It's completely up to the viewers' senses to chose whether or not they want to see the lines and shapes of the words, or they want to actually try and read the poems within the paintings."
"The Outsiders" also includes George Sanchez-Calderon's "A Painting and a Rolling-wall Become an Altar." "Sometimes a painting on a wall is just that, a painting on a wall," Sanchez-Calderon explains. "Sometimes a rolling-wall is built to support and display paintings. In this case, the rolling wall is open on one of three sides, allowing it to serve as a sculptural element. This allows the wall to serve other functions, in this case as an altar."
If you are not scared to step off the beaten path, come out to the wrong side of the tracks Friday night to see "The Outsiders." The show takes place at Ironside Warehouse, 7630 NE 4th Ct., and runs Jan. 7-14.
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