Dexter Returns Sunday: Designer Jessica Kender on Season Seven, Florida Weirdness, and Creating Miami on the West Coast
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Since season five of Dexter, Jessica Kender, the show's production designer, has helped turn the sound stages and sets of Los Angeles, Calif. into the streets and strip clubs of Miami. In preparation for Dexter's season seven premiere, New Times chatted with Kinder to see how she and the design staff make Southern California look like sexy, steamy South Beach.
New Times: How do you make Long Beach and southern California look like Miami?
Kender: The goal for every episode is to get water in the shot, because that's going to help us sell Miami. Water in the shot and no mountains. Because that's one thing that Long Beach has that Miami doesn't. We definitely feel like a beach community, but we just don't have those same bright colors. You guys, because you get rain, are always super green. Out here there's a lot of burnt grass, so we have a greens department to come in and make us look like you. Also, we rarely want to see a beige building. We want to give you guys your sun-burnt pastel look or the really super-saturated colors. So painters will come in and paint the building. And we want to give it a Deco feeling.
Palm trees in LA look distinctly different from Miami. How do you deal with that?
We're lucky if we have a bunch of our palm trees here, I just think it's a palm tree. They're a great graphic element. Then we'll bring in our own ones that our greens department keeps and add them to the set, so you have the tall ones and you have the short ones. You also have to look at it from a what's-cool-to-see point of view, and if I have straight line of palm trees on both sides, that's going to look great in the shot no matter what. We just did something where we looked down the street and we had all these super tall ones, and then our greens department brought in ones that were about half the size for the side of the street as well that was closer to where the main amount of filming was going to be.
What are some other set details you're watchful for?
There are some things that we can't do anything about, like you guys don't really have a lot of curbs. We have curbs, but that's just going to be the way it's going to be.
You mean, street curbs?
Yeah, like when you go out into the more suburban areas, not like downtown, but where more of the homes are, there aren't a lot of curbs. The grass just kind of goes into the street. So that I'll never be able to address, 'cause we just don't have the money to undo our curbs and put them back.
But we do try to do things like, if we do a bus stop, we're going to change the colors over to the colors of your buses. If we see major street signs we're going to try to match them to the way your streets are. Those are probably the small ones that stand out to me.
Do you incorporate your own life and memories of Miami into your set design?
The church that my best friend got married in. I actually based the church in last season off of it. I have a whole bookcase of Miami books that I look at for research. But that church is what I presented to the producers of what I thought the outside of the church should look like.