The Cove's Ric O'Barry on Boycotting Miami Seaquarium, Dolphin Slaughter, and How Rock and Roll Can Save the World
Miami native Ric O'Barry is one of those rare individuals so utterly devoted to his cause, so passionate and heartfelt, that he inspires generations of followers to stand alongside him. Since the 1970s, he's been working tirelessly to save dolphins from being slaughtered and captured across the globe - a fight which was captured in the Oscar-award winning documentary The Cove. And his organization, the Dolphin Project, has its roots right here in the 305.
After a former career as a dolphin capturer and trainer at the Miami Seaquarium, O'Barry had a revelation and began working to rehabilitate and release these highly intelligent, sensitive mammals and end the captive dolphin industry once and for all.
This Friday, O'Barry will be headlining an event at Luna Star Cafe as part of a fundraising event to help support his efforts. We spoke to the legendary advocate about how Miami inspired his career, how he deals with the horrors he's witnessed and how all of us can step up to help.
Cultist: You just returned to Miami from the annual slaughter in Taiji. What's it like this year?
Ric O'Barry: This year was historic according to the Associated Press wire services in Tokyo. That story was in over 200 other newspapers, and soon they're doing a much more in-depth story. There are four different Japanese groups of people and individuals who are coming forward and stepping up to do something about this annual dolphin slaughter. That is historic. I see the time when the Japanese activists will take ownership and I won't have to go there anymore. I'm thrilled about that. It's really hard to go from here. You fly all the way to Tokyo, it's something like 18 hours, take a train and go to this remote area of Japan and you're basically looking at Dante's Inferno for dolphins. If you saw The Cove, you're looking at the Disney version of what happens. When you see it in full color -- the sounds, the smells. Once you've seen it you can't unsee it. And once you get home you're bringing all these images with you. You turn the light off at night and 'Oh my God here we go again...' I've been doing that several times a year for the last 11 years. To see them step up, to me it's like, finally, it's light at the end of the tunnel.
How did Miami and the Seaquarium play a part in your creation of the Dolphin Project?
Well, the Dolphin Project was a result of my leaving the Seaquarium. I actually went there for the first time on opening day, Christmas day 1955. I was on leave from the Navy, so my mother and my two brothers and I went. It was only the third dolphinarium in the world. I stood there looking into the window in the main tank and it blew my socks off. You could see underwater! 300-pound sea turtles, starfish, dolphins were swimming all over the tank. There was a guy walking around in the bottom of the tank and he was feeding all of these creatures. It was a ding moment -- I realized that's what I want to do. And five years later when I got out of the Navy, that's what I did.
My first day on the job was on the capture boat. We went out and captured dolphins and were shipping them to different places. Flipper had just started, so Seaquarium made a deal with MGM where they'll supply the dolphins and a trainer if they filmed there. So for seven years I lived in that little house on the Flipper set and it's when I left that the Dolphin Project began. I was there for 10 years -- seven years with Flipper and three years training dolphins and killer whales. Then, after Earth Day 1970, I was doing the exact opposite, I was un-training them and putting them back.
How do you deal with the horrific things you see when you're on site at the dolphin slaughter?
Not very well. I must say it's very, very difficult. I don't, I just do the best I can. Insomnia is involved, probably post-traumatic stress disorder. Yeah there's a lot of things. It's very difficult for me to put that in words.
Have you seen any changes on the side of the people engaged in the slaughter since you started 11 years ago? How do they react to you?
Well, there's that 'they' word again. We have to really be specific who we're talking about. There's a worldwide boycott of Japan, but the Japanese people are not guilty. Of the people of Taiji, there are 3,353, I think, living there, but there's only 50 guys who are doing this. [Most people in Japan] don't do this and they're not guilty, but they get blamed for it. It's amazing how a small minority of people can create so much ill will towards an entire nation of 127 million people, most of whom don't even know it's going on.
If you're in Japan, it becomes very obvious that everyone's dancing as fast as they can to just pay the rent. It's very expensive and they work hard all day long. They don't have time for issues.
One of the things we're doing is getting a lot of young Japanese people together, and there's no better way to do that than through rock and roll. We're doing a benefit in Tokyo and everybody in the band that's playing has a very high media profile in Japan. Everybody is an inductee in the Rock and Roll Hall of Fame. It's the whole band from Guns 'n' Roses except for Axl. They all are totally into this and recognize the value of doing this benefit in Tokyo and getting a lot of young Japanese people together to celebrate the dolphin. There are places in Japan where it's the opposite of Taiji. They protect dolphins, they give them names, they swim with them. You never hear about that -- you only hear about these 50 men and what they're doing. We want to bring attention to what's right about Japan.