Jonah Boaker and Daniel Arsham Team Up Again for Occupant
During Art Week in Miami, anything is possible -- anything, at least, that concerns the creative arts. How about dancers selecting from an array of small sculptures to create mural-scale drawings underfoot as part of their choreographed performance?
This weekend, the Arsht Center is programmed to host exactly that, in the premiere of a collaborative presentation titled Occupant by experimental choreographer Jonah Bokaer and former Miamian, multi-media artist Daniel Arsham.
While each maintains an individual, globetrotting practice, the two have joined forces numerous times -- twice just in November when Bokaer staged opening events for Arsham's gallery exhibitions in London and Amsterdam. Minimalist solo dances mirrored and contrasted with Arsham's life-size Pompeii-inspired figurative sculptures, cast in crushed glass and resin. In a recent Crane TV interview, Arsham described Bokaer's sensibility as "clean and simple -- architectural, almost." Arsham's shows also featured eroded, degraded, obsolescent objects of communication (cameras, microphones, telephones) that are a current theme for Arsham and play again in Occupant. Last year at the Arsht, their dramatic Why Patterns re-imagined the stage as a series of shifting game fields with dancers as contestant-collaborators, dramatically interacting with ping-pong balls. For Recess, part of the same program, Arsham had proposed the stark scenography of a large roll of paper on the floor. Bokaer engaged this "prop" as a readily maneuverable foil for varied interventions: wrapping, gliding, tearing, rolling. Paper returns as a key element of Occupant.
Bokaer described the installation and choreography.
"The stage design is monochromatic, and is comprised of a floor grid of white plaster-cast objects from the recent past: Daniel's 'Future Relics,' which comment on the recent decay of audio visual devices."
Arsham regularly presents modern communication culture in a condition of partial disintegration, as though archeological discoveries. (Casting a petrified-looking version of musician-producer Pharrell Williams' 1980s Casio MT-500 keyboard was a recent venture). In fact, these forms are essential to both Occupant and his solo exhibition, "Future Relic" at OHWOW Gallery's exhibit this week at The Webster Boutique on Miami Beach. Themes of impermanence and the destructive power of nature derive in part from Arsham's childhood experience of Hurricane Andrew.
Arsham and Bokaer share fluency with technology. Sequences of projections (using videos of prior performances) onto a large and disintegrating stage construction were central to Replica, performed at both the Arsht and the Museum of Contemporary Art (MOCA) in 2010.
Bokaer explained that for Occupant, an extended development process dates back to September 2012, "which allowed us to tech the production fully....Our studios are very close to one another in Brooklyn, and the creative collaboration is hand over hand. We are like brothers."