Since Seal had his couple of big stateside hits in the Nineties (the seemingly immortal “Kissed By a Rose” being the most recognizeable), lately he seems to have been relegated to the role of Mr. Heidi Klum. So who goes to a Seal concert in Miami in 2007?
Well, for complicated and unimportant reasons, me, at least. Thursday night I found myself at the Jackie Gleason Theater in Miami Beach, sitting in Seal’s catering room. If the man himself remains shrouded in mystery, seeming to forever exist in moody, dramatic still frames, his backstage fit: It was possibly the quietest backstage ever. No random women wandering about, background music blaring, or spilled bowls of M&Ms and bottles of whiskey. Instead there were nice, polite people nicely, politely eating from an impressive spread of fresh-cooked food to rival that of a hotel brunch. Did I mention it was quiet?
So who would open for Seal? An equally sincere purveyor of “nice” R&B? Not this time – and here is where the best surprise of the evening came, in the form of opener Shane Alexander.
A pleasantly scruffy blonde, Alexander is a singer/songwriter in the most classic American sense. (Even his outfit was classic American: a pink retro western shirt and dark denim). While he plays with a full band in his hometown of L.A., as well as on his albums (which, by the way, are all self-released), he’s performing solo on this tour, with only his guitar for protection.
Not that he needs any shield. Alexander is one of the most empathetic, talented guys-with-guitars to come along lately, in a way that kicks aside subgenres in the tradition of the straightforward troubadour. He gets compared to Jeff Buckley a lot, for obvious reasons, but that’s kind of lazy. Alexander’s timbre is chestier and rootsier, and instead of sounding tormented he sounds hopeful.